It would be difficult to describe the animation and high spirits which distinguished the prince for the rest of the evening.
| “Ardalion,” said Nina Alexandrovitch, entreatingly. |
“I tell you, my dear fellow, Aglaya is such an extraordinary, such a self-willed, fantastical little creature, you wouldn’t believe it! Every high quality, every brilliant trait of heart and mind, are to be found in her, and, with it all, so much caprice and mockery, such wild fancies--indeed, a little devil! She has just been laughing at her mother to her very face, and at her sisters, and at Prince S., and everybody--and of course she always laughs at me! You know I love the child--I love her even when she laughs at me, and I believe the wild little creature has a special fondness for me for that very reason. She is fonder of me than any of the others. I dare swear she has had a good laugh at _you_ before now! You were having a quiet talk just now, I observed, after all the thunder and lightning upstairs. She was sitting with you just as though there had been no row at all.”
| “You are certainly mistaken; I do not even understand you. What else?” |
| “Executions?” |
At length, however, just as the visitors were on the point of departing, Prince S. seemed suddenly to recollect himself. “Oh yes, by-the-by,” he said, “do you happen to know, my dear Lef Nicolaievitch, who that lady was who called out to Evgenie Pavlovitch last night, from the carriage?”
The presence of certain of those in the room surprised the prince vastly, but the guest whose advent filled him with the greatest wonder--almost amounting to alarm--was Evgenie Pavlovitch. The prince could not believe his eyes when he beheld the latter, and could not help thinking that something was wrong.
“I am speaking allegorically, of course; but he will be the murderer of a Zemarin family in the future. He is getting ready. ...”These were the tears of joy and peace and reconciliation. Aglaya was kissing her mother’s lips and cheeks and hands; they were hugging each other in the most ardent way.
“Just so.”
“Won’t you leave the room, mamma?” asked Varia, aloud.| “Oh! if you will sell it, very good--and thank you. You shall not be a loser! But for goodness’ sake, don’t twist about like that, sir! I have heard of you; they tell me you are a very learned person. We must have a talk one of these days. You will bring me the books yourself?” |
“Well, it was a little drawn out, perhaps; but--”
“This is not my own fantastical opinion--many people have thought the same; but I feel it so deeply that I’ll tell you what I think. I believe that to execute a man for murder is to punish him immeasurably more dreadfully than is equivalent to his crime. A murder by sentence is far more dreadful than a murder committed by a criminal. The man who is attacked by robbers at night, in a dark wood, or anywhere, undoubtedly hopes and hopes that he may yet escape until the very moment of his death. There are plenty of instances of a man running away, or imploring for mercy--at all events hoping on in some degree--even after his throat was cut. But in the case of an execution, that last hope--having which it is so immeasurably less dreadful to die,--is taken away from the wretch and _certainty_ substituted in its place! There is his sentence, and with it that terrible certainty that he cannot possibly escape death--which, I consider, must be the most dreadful anguish in the world. You may place a soldier before a cannon’s mouth in battle, and fire upon him--and he will still hope. But read to that same soldier his death-sentence, and he will either go mad or burst into tears. Who dares to say that any man can suffer this without going mad? No, no! it is an abuse, a shame, it is unnecessary--why should such a thing exist? Doubtless there may be men who have been sentenced, who have suffered this mental anguish for a while and then have been reprieved; perhaps such men may have been able to relate their feelings afterwards. Our Lord Christ spoke of this anguish and dread. No! no! no! No man should be treated so, no man, no man!”
| “Ah! What visitor did you turn away from my door, about an hour ago?” |
| But he, perhaps, did not understand the full force of this challenge; in fact, it is certain he did not. All he could see was the poor despairing face which, as he had said to Aglaya, “had pierced his heart for ever.” |
“Thank God, I have got mother away, and put her to bed without another scene! Gania is worried--and ashamed--not without reason! What a spectacle! I have come to thank you once more, prince, and to ask you if you knew Nastasia Philipovna before?”
He had kept but one idea before him all day, and for that he had worked in an agony of anxiety and a fever of suspense. His lieutenants had worked so hard from five o’clock until eleven, that they actually had collected a hundred thousand roubles for him, but at such terrific expense, that the rate of interest was only mentioned among them in whispers and with bated breath.
| “Don’t interrupt, we are not such fools as you think, Mr. Lawyer,” cried Lebedeff’s nephew angrily. “Of course there is a difference between a hundred roubles and two hundred and fifty, but in this case the principle is the main point, and that a hundred and fifty roubles are missing is only a side issue. The point to be emphasized is that Burdovsky will not accept your highness’s charity; he flings it back in your face, and it scarcely matters if there are a hundred roubles or two hundred and fifty. Burdovsky has refused ten thousand roubles; you heard him. He would not have returned even a hundred roubles if he was dishonest! The hundred and fifty roubles were paid to Tchebaroff for his travelling expenses. You may jeer at our stupidity and at our inexperience in business matters; you have done all you could already to make us look ridiculous; but do not dare to call us dishonest. The four of us will club together every day to repay the hundred and fifty roubles to the prince, if we have to pay it in instalments of a rouble at a time, but we will repay it, with interest. Burdovsky is poor, he has no millions. After his journey to see the prince Tchebaroff sent in his bill. We counted on winning... Who would not have done the same in such a case?” |
| But on this occasion there was something more serious than usual. Everyone seemed to know something, but to be afraid to talk about it. |
| Now, since Totski had, of late, been upon terms of great cordiality with Epanchin, which excellent relations were intensified by the fact that they were, so to speak, partners in several financial enterprises, it so happened that the former now put in a friendly request to the general for counsel with regard to the important step he meditated. Might he suggest, for instance, such a thing as a marriage between himself and one of the general’s daughters? |
“Stop a minute; where are you off to? Who is this abbot?” cried Mrs. Epanchin to her retreating husband in a tone of excited annoyance.
| “Widower. Why do you want to know all this?” |
Such were her words--very likely she did not give her real reason for this eccentric conduct; but, at all events, that was all the explanation she deigned to offer.
“Oh, let her alone, I entreat you!” cried the prince. “What can you do in this dark, gloomy mystery? Let her alone, and I’ll use all my power to prevent her writing you any more letters.”
“I have now--let’s see--I have a hundred and thirty-five thousand roubles,” said the prince, blushing violently.
A man, whose face it was difficult to see in the gloom, approached the bench, and sat down beside him. The prince peered into his face, and recognized the livid features of Rogojin.| “When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion. |
“In spite of his lack of amiability, I could not help seeing, in Rogojin a man of intellect and sense; and although, perhaps, there was little in the outside world which was of interest to him, still he was clearly a man with eyes to see.
He could not say how long he sat there. It grew late and became quite dark.
“Prince,” he said, with feeling, “I was a blackguard. Forgive me!” His face gave evidence of suffering. The prince was considerably amazed, and did not reply at once. “Oh, come, forgive me, forgive me!” Gania insisted, rather impatiently. “If you like, I’ll kiss your hand. There!”
Keller also advised, in anticipation of the crowd making a rush after the ceremony, that a fire-hose should be placed at the entrance to the house; but Lebedeff was opposed to this measure, which he said might result in the place being pulled down.
| But a moment or two afterwards he began to glance keenly about him. That first vision might only too likely be the forerunner of a second; it was almost certain to be so. Surely he had not forgotten the possibility of such a meeting when he came to the Vauxhall? True enough, he had not remarked where he was coming to when he set out with Aglaya; he had not been in a condition to remark anything at all. |
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“Feeds me? Go on. Don’t stand on ceremony, pray.”
“Capital! And your handwriting?”“So do I,” said Adelaida, solemnly.
“What! _Aglaya_ would have funked? You are a chicken-hearted fellow, Gania!” said Varia, looking at her brother with contempt. “Not one of us is worth much. Aglaya may be a wild sort of a girl, but she is far nobler than any of us, a thousand times nobler!” “Where does she live?”“At Pavlofsk! He is at Pavlofsk, undoubtedly!” interrupted Lebedeff.... “But come--let us go into the garden--we will have coffee there....” And Lebedeff seized the prince’s arm, and led him from the room. They went across the yard, and found themselves in a delightful little garden with the trees already in their summer dress of green, thanks to the unusually fine weather. Lebedeff invited his guest to sit down on a green seat before a table of the same colour fixed in the earth, and took a seat facing him. In a few minutes the coffee appeared, and the prince did not refuse it. The host kept his eyes fixed on Muishkin, with an expression of passionate servility.
Ptitsin explained, for the benefit of the company, that the prince’s aunt had died five months since. He had never known her, but she was his mother’s own sister, the daughter of a Moscow merchant, one Paparchin, who had died a bankrupt. But the elder brother of this same Paparchin, had been an eminent and very rich merchant. A year since it had so happened that his only two sons had both died within the same month. This sad event had so affected the old man that he, too, had died very shortly after. He was a widower, and had no relations left, excepting the prince’s aunt, a poor woman living on charity, who was herself at the point of death from dropsy; but who had time, before she died, to set Salaskin to work to find her nephew, and to make her will bequeathing her newly-acquired fortune to him.
“I should think not. Go on.”
| “Yes, I got it,” said the prince, blushing. |
| “Oh, but I’m sorry you repudiate the confession, Hippolyte--it is sincere; and, do you know, even the absurd parts of it--and these are many” (here Hippolyte frowned savagely) “are, as it were, redeemed by suffering--for it must have cost you something to admit what you there say--great torture, perhaps, for all I know. Your motive must have been a very noble one all through. Whatever may have appeared to the contrary, I give you my word, I see this more plainly every day. I do not judge you; I merely say this to have it off my mind, and I am only sorry that I did not say it all _then_--” |
| “Don’t they heat them at all?” |
| “I give you my word of honour that I had nothing to do with the matter and know nothing about it.” |
| “He is sorry for his sins now, prince,” cried Keller. “He did not want to let you know he was here; he was hidden over there in the corner,--but he repents now, he feels his guilt.” |
| “And how do you know that?” she asked him, sharply. |