“How do you make out that the Roman Catholic religion is _unchristian?_ What is it, then?” asked Ivan Petrovitch, turning to the prince.
“My doctor insisted on my sitting down again to get my breath. He now said something to his wife who, without leaving her place, addressed a few words of gratitude and courtesy to me. She seemed very shy over it, and her sickly face flushed up with confusion. I remained, but with the air of a man who knows he is intruding and is anxious to get away. The doctor’s remorse at last seemed to need a vent, I could see.
| “The-the general. I would not let him in; there is no need for him to visit you, prince... I have the deepest esteem for him, he is a--a great man. You don’t believe it? Well, you will see, and yet, most excellent prince, you had much better not receive him.” |
“H’m! I like to see that you know your manners; and you are by no means such a person as the general thought fit to describe you. Come along; you sit here, opposite to me,” she continued, “I wish to be able to see your face. Alexandra, Adelaida, look after the prince! He doesn’t seem so very ill, does he? I don’t think he requires a napkin under his chin, after all; are you accustomed to having one on, prince?”
“Leave off, Colia,” begged the prince. Exclamations arose on all sides.
“She is there at this moment?”
“But surely this is a joke, Nastasia Philipovna?” asked Totski. “You don’t really mean us to play this game.”
“Enough!” he concluded at last, “you understand me, and that is the great thing. A heart like yours cannot help understanding the sufferings of another. Prince, you are the ideal of generosity; what are other men beside yourself? But you are young--accept my blessing! My principal object is to beg you to fix an hour for a most important conversation--that is my great hope, prince. My heart needs but a little friendship and sympathy, and yet I cannot always find means to satisfy it.”
| “Bravo! That’s frank, at any rate!” shouted Ferdishenko, and there was general laughter. |
“Whose secret?”
None of the band were very drunk, for the leader had kept his intended visit to Nastasia in view all day, and had done his best to prevent his followers from drinking too much. He was sober himself, but the excitement of this chaotic day--the strangest day of his life--had affected him so that he was in a dazed, wild condition, which almost resembled drunkenness.
Left to himself at the cross-roads, the prince glanced around him, quickly crossed the road towards the lighted window of a neighbouring house, and unfolded a tiny scrap of paper which he had held clasped in his right hand during the whole of his conversation with the general.
| “Come, let us go in--it’s all right,” he whispered in the prince’s ear. |
She now rose solemnly from her seat, walked to the centre of the terrace, and stood in front of the prince’s chair. All looked on with some surprise, and Prince S. and her sisters with feelings of decided alarm, to see what new frolic she was up to; it had gone quite far enough already, they thought. But Aglaya evidently thoroughly enjoyed the affectation and ceremony with which she was introducing her recitation of the poem.
He had found her in a condition approaching to absolute madness. She screamed, and trembled, and cried out that Rogojin was hiding out there in the garden--that she had seen him herself--and that he would murder her in the night--that he would cut her throat. She was terribly agitated all day. But it so happened that the prince called at Hippolyte’s house later on, and heard from his mother that she had been in town all day, and had there received a visit from Rogojin, who had made inquiries about Pavlofsk. On inquiry, it turned out that Rogojin visited the old lady in town at almost the same moment when Nastasia declared that she had seen him in the garden; so that the whole thing turned out to be an illusion on her part. Nastasia immediately went across to Hippolyte’s to inquire more accurately, and returned immensely relieved and comforted.
This same morning dawned for the prince pregnant with no less painful presentiments,--which fact his physical state was, of course, quite enough to account for; but he was so indefinably melancholy,--his sadness could not attach itself to anything in particular, and this tormented him more than anything else. Of course certain facts stood before him, clear and painful, but his sadness went beyond all that he could remember or imagine; he realized that he was powerless to console himself unaided. Little by little he began to develop the expectation that this day something important, something decisive, was to happen to him.
| “But why should they suppose that I despise generals?” Gania thought sarcastically to himself. |
“What in the world induces you to act so? You are nothing but a spy. Why did you write anonymously to worry so noble and generous a lady? Why should not Aglaya Ivanovna write a note to whomever she pleases? What did you mean to complain of today? What did you expect to get by it? What made you go at all?”
“Oh she--they don’t know anything about it! Nastasia was only chaffing Rogojin. I was alarmed at first, but I have thought better of it now; she was simply laughing at him. She looks on me as a fool because I show that I meant her money, and doesn’t realize that there are other men who would deceive her in far worse fashion. I’m not going to pretend anything, and you’ll see she’ll marry me, all right. If she likes to live quietly, so she shall; but if she gives me any of her nonsense, I shall leave her at once, but I shall keep the money. I’m not going to look a fool; that’s the first thing, not to look a fool.”
“Just two words: have you any means at all? Or perhaps you may be intending to undertake some sort of employment? Excuse my questioning you, but--”
| “But, at times, I can’t help thinking that I am wrong in feeling so about it, you know. Sincerity is more important than elocution, isn’t it?” |
“‘I’m afraid you are ill?’ he remarked, in the tone which doctors use when they address a patient. ‘I am myself a medical man’ (he did not say ‘doctor’), with which words he waved his hands towards the room and its contents as though in protest at his present condition. ‘I see that you--’
| “Why, prince, you’ve only gone a few steps along this road, I perceive. You are evidently a mere beginner. Wait a bit! Before long, you’ll have your own detectives, you’ll watch day and night, and you’ll know every little thing that goes on there--that is, if--” |
Hippolyte suddenly burst into a fit of hysterical laughter, which turned into a choking cough.
At this moment the study door opened, and a military man, with a portfolio under his arm, came out talking loudly, and after bidding good-bye to someone inside, took his departure.
The prince heard the whole of the foregoing conversation, as he sat at the table, writing. He finished at last, and brought the result of his labour to the general’s desk.
| Varia had risen from her place and had started to go upstairs to her mother; but at this observation of Gania’s she turned and gazed at him attentively. |
At last Rogojin took the prince’s hand, and stood so for some moments, as though he could not make up his mind. Then he drew him along, murmuring almost inaudibly,
| Nastasia Philipovna seized the packet of bank-notes. |
“Papa, you are wanted!” cried Colia.
“Then look out for him, I warn you! He won’t forgive you easily, for taking back the letter.”
| These words painfully impressed the whole party; but especially her parents. Lizabetha Prokofievna summoned a secret council of two, and insisted upon the general’s demanding from the prince a full explanation of his relations with Nastasia Philipovna. The general argued that it was only a whim of Aglaya’s; and that, had not Prince S. unfortunately made that remark, which had confused the child and made her blush, she never would have said what she did; and that he was sure Aglaya knew well that anything she might have heard of the prince and Nastasia Philipovna was merely the fabrication of malicious tongues, and that the woman was going to marry Rogojin. He insisted that the prince had nothing whatever to do with Nastasia Philipovna, so far as any liaison was concerned; and, if the truth were to be told about it, he added, never had had. |
| She mechanically arranged her dress, and fidgeted uncomfortably, eventually changing her seat to the other end of the sofa. Probably she was unconscious of her own movements; but this very unconsciousness added to the offensiveness of their suggested meaning. |
“Are you out of your mind?” cried the prince, almost starting from his seat. “What do they accuse you of? Who accuses you?”
| On reaching the table, he placed upon it a strange-looking object, which he had carried with him into the drawing-room. This was a paper packet, some six or seven inches thick, and eight or nine in length, wrapped in an old newspaper, and tied round three or four times with string. |
I.
“I am not finessing, and I am not in the least afraid of telling you; but I don’t see the slightest reason why I should not have written.”
| “She died a few months later, from a cold,” said the prince. |
“You know we have hardly spoken to each other for a whole month. Ptitsin told me all about it; and the photo was lying under the table, and I picked it up.”
| She was accompanied sometimes in her carriage by a girl of sixteen, a distant relative of her hostess. This young lady sang very well; in fact, her music had given a kind of notoriety to their little house. Nastasia, however, was behaving with great discretion on the whole. She dressed quietly, though with such taste as to drive all the ladies in Pavlofsk mad with envy, of that, as well as of her beauty and her carriage and horses. |
| His words seemed tinged with a kind of sarcastic mockery, yet he was extremely agitated, casting suspicious glances around him, growing confused, and constantly losing the thread of his ideas. All this, together with his consumptive appearance, and the frenzied expression of his blazing eyes, naturally attracted the attention of everyone present. |
“My fate is to be decided today” (it ran), “you know how. This day I must give my word irrevocably. I have no right to ask your help, and I dare not allow myself to indulge in any hopes; but once you said just one word, and that word lighted up the night of my life, and became the beacon of my days. Say one more such word, and save me from utter ruin. Only tell me, ‘break off the whole thing!’ and I will do so this very day. Oh! what can it cost you to say just this one word? In doing so you will but be giving me a sign of your sympathy for me, and of your pity; only this, only this; nothing more, _nothing_. I dare not indulge in any hope, because I am unworthy of it. But if you say but this word, I will take up my cross again with joy, and return once more to my battle with poverty. I shall meet the storm and be glad of it; I shall rise up with renewed strength.
“Yes, I remember too!” said Alexandra. “You quarrelled about the wounded pigeon, and Adelaida was put in the corner, and stood there with her helmet and sword and all.”
He walked along the road towards his own house. His heart was beating, his thoughts were confused, everything around seemed to be part of a dream.
| “I believe it is the absolute truth.” |
“Well!--and what’s the meaning of the ‘poor knight,’ eh?”
“At any rate, your uncle has a kind heart,” remarked the prince, who really had to force himself to speak to the nephew, so much did he dislike him.
II.
“Ah! that is what you feared! It was inevitable, you say! Well, let me tell you that if I hate anyone here--I hate you all,” he cried, in a hoarse, strained voice--“but you, you, with your jesuitical soul, your soul of sickly sweetness, idiot, beneficent millionaire--I hate you worse than anything or anyone on earth! I saw through you and hated you long ago; from the day I first heard of you. I hated you with my whole heart. You have contrived all this! You have driven me into this state! You have made a dying man disgrace himself. You, you, you are the cause of my abject cowardice! I would kill you if I remained alive! I do not want your benefits; I will accept none from anyone; do you hear? Not from any one! I want nothing! I was delirious, do not dare to triumph! I curse every one of you, once for all!”
The prince questioned him in detail as to his hints about Rogojin. He was anxious to seize upon some facts which might confirm Hippolyte’s vague warnings; but there were none; only Hippolyte’s own private impressions and feelings.
| “It’s disgraceful,” said Lizabetha Prokofievna in a loud whisper. |
| “Well, prince, that’s enough to knock me down! It astounds me! Here you are, as simple and innocent as a knight of the golden age, and yet... yet... you read a man’s soul like a psychologist! Now, do explain it to me, prince, because I... I really do not understand!... Of course, my aim was to borrow money all along, and you... you asked the question as if there was nothing blameable in it--as if you thought it quite natural.” |
But, besides the above, we are cognizant of certain other undoubted facts, which puzzle us a good deal because they seem flatly to contradict the foregoing.
| Evidently the quiet, pleasant current of the family life of the Epanchins was about to undergo a change. |
The boxer was dying to get in a few words; owing, no doubt, to the presence of the ladies, he was becoming quite jovial.
| He had been turned out in disgrace, eventually, and this was the cause of his bad night and quarrelsome day, which ended in his sudden departure into the street in a condition approaching insanity, as recorded before. |
| “Mr. Terentieff,” said the prince. |
“You know,” Adelaida continued, “you owe us a description of the Basle picture; but first I wish to hear how you fell in love. Don’t deny the fact, for you did, of course. Besides, you stop philosophizing when you are telling about anything.”
“Your highness! His excellency begs your presence in her excellency’s apartments!” announced the footman, appearing at the door.
| Their entrance caused some slight commotion. |
There were sounds of half-smothered laughter at this.
| “Artists always draw the Saviour as an actor in one of the Gospel stories. I should do differently. I should represent Christ alone--the disciples did leave Him alone occasionally. I should paint one little child left with Him. This child has been playing about near Him, and had probably just been telling the Saviour something in its pretty baby prattle. Christ had listened to it, but was now musing--one hand reposing on the child’s bright head. His eyes have a far-away expression. Thought, great as the Universe, is in them--His face is sad. The little one leans its elbow upon Christ’s knee, and with its cheek resting on its hand, gazes up at Him, pondering as children sometimes do ponder. The sun is setting. There you have my picture. |